Showing posts with label 2008. Show all posts
Showing posts with label 2008. Show all posts

Friday, May 19, 2017

Mutant Chronicles (2008)






Directed by: Simon Hunter
Run Time: 111 minutes

Here is a quick background dump on Mutant Chronicles. The Mutant Chronicles is a table top role playing game set in the sort of far future. Governments have been replaced with four multinational mega corporations that strip mined the Earth of anything and anyone of value. As soon as the Earth was made a polluted husk the corporations took off for the inside of Mercury, terraformed Venus and Mars, and the astroid belt outside of Mars. Things for the corporations were going great until the tenth planet was found. Or home to horrible things and the death of every computer in existence.  Which leads to humanity fighting it's self and horde of demonic mutant things for survival.

The movie opens with a world history lesson about how in the distant past a meteorite crashed on Earth and released a hoard of undead mutant things. A group of knights drove the undead mutant things back to the creator they crawled out of, sealed it, an the promptly forgot about the whole incident. Centuries pass, nations give way to corporations, and four mega corporations struggle for control of Earth. Capitol corporation controls North and South America, Bauhaus controls Europe and half of Russia, Imperial controls the UK, Australia and most of Africa, and Mishima that controls Asia and the rest of Russia.

These corporate nations fight each other for everything from resources to which version of football is best. One such fight is taking place right near the creator where humanity sealed a bunch of murderous mutants. The Capitol army had built a defensive trench against the Bauhaus army and are waiting to see who points out the flaws of trench warfare first. This is where we meet Major 'Mitch' Hunter (Thomas Jane), a career solider who sees his job as chance to "fuck things up". He will be the character that the movie uses as it's point of view for the most part.

After a brief tour of how much life in the trenches sucks the Bauhaus army arrives to prove that life can always get worse. During the fighting, an artillery round opens the tomb holding the undead mutant things. Who in turn destroy the two fighting armies and end the corporation's war against each other. The movie then cuts to the other side of the world were the a religious order is listening to radio traffic and learns that the undead mutants are back. Because nothing says guardians of humanity like remote mountain monastery and a ham radio setup. This also the home of Brother Samuel (Ron Pearlman), the keeper of the scrapbook about undead mutants.

With the undead mutants free to kill all of humanity again, it's up to Brother Samuel to recruit eight other people to wield the only weapon that hurt the mutants. Swords. Because swords are the only weapon that can inflict enough damage to kill undead mutants. So Brother Samuel pays a visit to the Capitol CEO (John Malkovich) in the hopes of finding eight suckers are willing to undertake a suicide mission. The CEO produces some get off of Earth tickets as a way to entice some volunteers to help Brother Samuel's quest.

Leaving the CEO to be killed by the undead mutants, Brother Samuel manages to recruit Major Hunter and seven other soldiers who have not been developed as characters for the suicide quest. Together this group of soldiers slog their way through the third act and towards a hidden entrance into the undead mutant factory.

Now this might be surprising but this movie is weird and is not sure who it's audience is. To a general movie going audience the movie does a poor job providing bridging material to help the audience suspend their disbelief. Like explaining the World War One look of the film, reasons to like cardboard character cutouts, or how the world got so screwed up between the dark ages to the twenty fifth century. Fans of Mutant Chronicles and War Zone (the miniatures game based on the Mutant Chronicles game) are equally left in the dark by this film. It ignores the fantastic elements of the source material due to budget and takes artistic license as a reason to tell a well worn war story. The end result is a odd film, set in strange place, and telling a familiar story with weird props. If it's a solid rental/streaming movie if you want something strange.

MVP: Seeing John Malkoich preform his cameo while acting like he is coming off a week long Valium bender.

Make or Break: A lot of the run time I found myself yelling at the TV, "Hi, could you talk to the audience instead of being grim and dark while staring your own navel!"

Score: 4.9 out of 10


Saturday, May 17, 2014

Instant Action: The Spirit (2008)



That's a lot of fake CG backdrops for one film!

Screenplay By: Frank Miller
Directed By: Frank Miller

The Spirit is what happens when a man with the maturity of a teenage boy is allowed to make a film. That doesn't guarantee a bad or terrible film, but it can certainly result in a film of very low quality. I stopped caring about Frank Miller as a comic book writer sometime around the late 1990s, when it became all too clear that he had nothing new to say and that he was trapped in an extended adolescence. The same nihilism that infected all of Mr. Miller's comic book writing is present in The Spirit, which is unfortunate since the comic it's based on is a rather hopeful noir.

Now, I don't care much about the fact that Mr. Miller deviated severely from Will Eisner's work, that's fine by me. The problems with The Spirit go well beyond any adaptation issues. It's, simply put, not a well made film. Mr. Miller's version of The Spirit is all too fake and soulless. This is true for both the characters and the look of the film.

Mr. Miller's adopted the look of the Sin City film wholesale, which is fine but he's taken it a step further by making it where the characters aren't able to mesh with the computer backgrounds that surround them. When two characters are standing in the snow and not a single drop of snow falls on either character because the computer program won't allow for it, well that's just a terrible design flaw in the film. That's how The Spirit comes across visually, as one massive design flaw.

The characters in The Spirit can't be described as human, or even too comic book like. Rather, they are robots existing in a computer playground. This may have sounded great on paper, but in realization it leaves a film that is a chore to get through. It's easy to not care about any of the characters in The Spirit because Mr. Miller's plodding and tactless script never gives the viewer a reason to care about said characters. Without characters to care about it leaves the action hollow and empty, same with the story.

There's a scene in The Spirit where for no reason whatsoever Eva Mendes' character lifts the lid up on a copier, sits on the screen, and photocopies her ass. There's no reason for her to do this, it's only in the movie because for Frank Miller women don't matter other than as bodies to be ogled. Come to think of it, there's no reason for much of anything that happens in The Spirit. It's a misguided attempt at bringing a classic comic strip to the big screen. The Spirit should be the nail in the coffin for Frank Miller as a voice in the film world, which is okey dokey by me.

Rating:

3/10

Cheers,
Bill Thompson

Monday, October 28, 2013

Midnite Ride #14: Sauna

Large William reviews Sauna (2008) directed by Antti-Jussi Annila!!!

Direct download: MidniteRide14.mp3 
 
Emails to midnitecinema@gmail.com

Voicemails to 206-666-5207

Adios!!!


Sunday, October 27, 2013

Midnite Ride #12: The Children (2008)

Large William reviews The Children (2012) directed by Tom Shankland!!!

Direct download: MidniteRide12.mp3

Emails to midnitecinema@gmail.com

Voicemails to 206-666-5207

Adios!!!


Friday, July 12, 2013

Episode #243: Gamorrah Ninjas

Welcome back everybody!!!

THis week we bring you our diabolikdvd.com sponsored episode and it was Large William's turn to program the show!! The films selected were Gamorrah (2008) directed by Matteo Garrone and Ninja III: The Domination (1984) directed by Sam Firstenberg!!! We think you are all gonna enjoy this one!!!

Direct download: ggtmc_243.mp3

Emails to midnitecinema@gmail.com

Voicemails to 206-666-5207

Adios!!!



Friday, August 31, 2012

Goliath (2008)



A short while ago on the Silva & Gold podcast, Doctor Zom spoke poorly of a film entitled “Goliath”. He called it horrible, boring and one of the worst films he’d ever seen! Naturally, he thought of me, the Cinemasochist. He joked that he’d send it to me one day, though he doesn’t know why. I get a kick out of watching bad films (I once called in and talked for over ten minutes about a killer cookie movie). He actually ended up mailing me the film with a message to review it.

Which brings us here today. I was hoping going into the film that I would be typing up a positive review. Not to smite Zom, but to give a differing opinion on the film. That and I go into almost every film hoping for a positive experience. About twenty minutes into the film, I knew this wouldn’t be the case. Zom was right when he said this was a bad film!

It’s just not the type of bad film that I was expecting. While I revel in watching terrible cinema, a lot of the ones I reference are films that aren’t boring. Not at all of them are so bad it’s good (usually just flat out bad), but they’re at least memorably bad. They have something occurring to make me notice them. Even if I don’t want to, I’ll remember them.

I won’t remember a thing about “Goliath” in about two months. I can almost guarantee that. I’m only about an hour removed from my viewing and I’m struggling to recollect some scenes. Considering the film is only an hour and twenty minutes long, this shouldn’t be an issue. There’s only so much you can fit in that time slot (which, for the record, is not a negative most of the time; more films need to be between eighty and ninety minutes). Yet, here I sit, trying to remember a film I didn’t like in order to review it.

I do remember the main storyline (or lack thereof). David Zellner plays nobody, according to the film’s IMDB page, so I’ll refer to him as David. He is getting a divorce from his wife, has been demoted at work and, worst of all, lost his cat, Goliath. He finds the cat dead in the middle of the road (I’d say spoiler alert, but it happens early on and I really don’t care at this point) and believes that Chad P. Franklin (Nathan Zellner), a sex offender who just recently moved into the neighborhood, murdered him. You know, because all sex offenders murder cats in their free time.

There’s potential there for a good comedy to be made out of. This isn’t it. The first problem is that all occurs in under ten minutes when you put it all together. The rest of the film is devoted to laborious shots of David moping around the house, dealing with his immature co-workers (they swear and light their farts on fire) and dealing with his ex-wife. There’s actually a scene in here where they sign the divorce papers in silent that runs for about a minute or two straight. I get that Zellner was trying to convey the monotonous tone of the action, which he technically did. The scene was boring and I didn’t care. Mission accomplished?

I do remember chuckling twice in the film. The first would be when David is trying to explain the situation to his ex-wife (he cheated on her, but with only two fingers, so it technically shouldn’t count in his eyes), only to snap and proclaim, “I smoke in the house now!” The other time would be shortly after he buried Goliath in the backyard. He goes inside to find the litter box full of crap and tosses the entire thing out the window. I wouldn’t call this praise, as I chuckled a few times during “Dumb and Dumberer: When Harry Met Lloyd” as well and that’s not a good film, either.

The only other positive feedback I can give to Zellner is that he can frame a shot. He utilizes the camera well and smoothly transitions from one scene to the next. Without a good story to tag along with it, what’s the point? The reason directors such as Terrence Malick are praised is not just because they can artistically film a movie. It’s because they can do that, as well as telling a compelling story. Zellner forgot to include that in “Goliath”.

MVT: I wouldn’t call this much of a MVT, but the camerawork is nice.

Make or Break: The signing of the divorce papers. That’s the epitome of this film and why it’s boring.

Final Score: 2/10

Wednesday, January 19, 2011

Episode #116: Cabo Manero

Welcome to another episode of the GGtMC!!!

This week the Gents talk about Cabo Blanco (1980) with Charles Bronson and Tony Manero (2008) a film that has eluded both of us for a few years.

We had a blast as always and tackled more listener feedback, we are almost caught up on the feedback front and please keep sending it in!!!

Also, please donate to the show and give us a hand keeping the show going, we appreciate any help we can get and are very thankful for contributions from our listeners...it really means a lot to us!!!

Direct download: Cabo_ManeroRM.mp3

Emails to midnitecinema@gmail.com

Voicemails to 206-666-5207

Adios!!!

Tuesday, January 19, 2010

Episode #65: Double Deuce Series: Mesrine

In the first of what we hope is many Double Deuce film series, we are covering the MESRINE films from France and starring Vincent Cassel.
This opens the door for many more two film series episodes and we hope you guys enjoy these episodes as much as a standard episode of the GGtMC.


Thursday, December 10, 2009

Episode #59: Far Cries Of The Boll

So this week, Large William had internet connection issues and we had to go to very good friend of the show, Miles from ShowShow, to sit in for a review.
Miles and Sammy review FAR CRY (2008) by director Uwe Boll. It was a spirited conversation and I want to personally thank him for stepping in for Large William.
Large William and I did manage to tackle feedback however....ENJOY!!!


Tuesday, April 28, 2009

Episode #29: Alice Ip Alice

In this week's episode, we cover IP MAN (2008) with Donnie Yen and we go over ALICE SWEET ALICE (1976) with Brooke Shields in a very early role.
We also go over some feedback and announce our first content for the Ladies Appreciation Month of May....its gonna be an awesome month.


Wednesday, March 11, 2009

Bonus #2: Martyrs

In a special bonus episode, the Gents team up with BillByForce from Outside The Cinema to go over one of the most anticipated horror films in recent memory.
We cover MARTYRS and talk about its many themes and brillance....
 
BE WARNED!!!!
 
This is a spoiler filled episode, so you may want to avoid if you dont want the film spoiled for you, we cover the film in three segments and the first segment has no spoilers, but from there on it is spoilers all the time...just a warning from the Gents...Enjoy gang!!!!


Tuesday, March 3, 2009

Episode #22: They Good, They Bad, They Live

On this show we cover Kim Ji-Woon's epic THE GOOD, THE BAD, THE WEIRD and John Carpenter's THEY LIVE...a classic in its own right.


Wednesday, January 7, 2009

Episode #15: JCVD In The House

Welcome to Episode #15...the Gentlemen have returned from a brief hiatus and have brought with them their reviews of JCVD with Jean-Claude Van Damme and HAUSU, a 1977 Japanese horror film that has to be seen to be believed.


Wednesday, December 3, 2008

Episode #11: Let The Silence In

Here we go, Episode 11, a day later than usual but it is done and it is awesome....We review Sergio Corbucci's THE GREAT SILENCE and the horror buzz film of the year, or at least the one other than Martyrs, we go over LET THE RIGHT ONE IN.