Showing posts with label Gareth Evans. Show all posts
Showing posts with label Gareth Evans. Show all posts

Saturday, August 23, 2014

Episode #301: Scanner Raid

Welcome back!!!

This week we are sponsored by diabolikdvd.com and it was Large William's turn to program the big show. Films covered this week are Scanners (1981) directed by david Cronenberg and The Raid 2: Berandal (2014) directed by Gareth Evans!!!

Direct download: ggtmc_301.mp3 
 
Emails to midnitecinema@gmail.com

Adios!!!



Saturday, August 17, 2013

Instant Action: Merantau (2009)



That's a heck of a lot of ass kicking to dole out for a girl you hardly know!

Written By: Gareth Evans
Directed By: Gareth Evans

I was floored by the action in Gareth Evans 2011 effort, Serbuan maut. That film had a lot of hype accompanying it, but I was still impressed by the type and tenacity of action presented by Mr. Evans. My mind was a blank slate going into Serbuan maut, but the same cannot be said for my state of mind when I started watching Merantau. Thanks to my previous exposure to Mr. Evans most popular film I came into his sophomore effort with certain expectations. Most of those expectations were met, and that's both a positive and negative in this case.

There's only one place to begin a discussion of Merantau, the martial arts action. I remain super impressed with the way that Mr. Evans films his action scenes. They are hard hitting and visceral in the best of ways. This isn't the stuff of light tag that is too often present in Hollywood action films. When someone is hit in Merantau their pain is easy to feel. The violence of the film brings with it a level of immediacy that makes the action easier to swallow. A lot of the action in Merantau is far fetched, but I bought into it because of how immediate said action was presented.

Where Mr. Evans most shines as a director is in his understanding of space and surroundings. The fight choreography of Iko Uwais and Yayan Ruhian deserves special mention. However, without Mr. Evans having his camera in the right place at the right time during every single fight the choreography would have been lessened. Mr. Evans focuses on the area around the fight, and to great effect. Some fight scenes have a claustrophobic feel, while others feel like the entire world is at the fighters disposal. Added to this is the way that Mr. Evans implements the sound work of Ichsan Rachmaditta. The various working parts of Merantau are really good in and of themselves, but it is the guiding hand of Mr. Evans that brings those elements together to craft a very well made film.

That's not to say that Merantau is a perfect film, or even that it is on the same level as Serbuan maut. In every aspect Merantau is an inferior film to Serbuan maut, but it's still a good motion picture. The main problem I had with the film was that it did drag in the non-fighting moments and that on the whole the film could have stood to lose a good fifteen to twenty minutes from its run time. The fighting, or martial arts if you will, in Merantau is lean and mean, but the movie doesn't always follow suit. The story that surrounds the fighting is bare bones. That isn't a problem all by its lonesome, but Mr. Evans spends far too much time on such a weak story. This in turn causes the film to drag and lose a lot of the momentum that the fight scenes build up. Luckily the fight scenes do eventually come around and get the movie back on track. But, Merantau is a tad too on the bloated side for the type of film it wants to be.

Merantau falls well short of being a great film, but it's still a darn good action flick. The story can be tossed aside, and the bloated nature of the film shouldn't pose too much of a detriment to the film. The fighting in Merantau is where it's at, and in that aspect the film delivers on all of its promise. The kinetic energy of Mr. Evans action direction pulled me in and refused to let me go. Any action fan should find something to like in the action provided by Merantau. I know I did, and I know that Gareth Evans has emerged as one of the best young action directors working today.

Rating:

7/10

Cheers,
Bill

Tuesday, August 21, 2012

Episode #198: Raid on Videodrome

Welcome to our diabolikdvd.com sponsored episode and this week Large William picked a doozie!!!

The Gents cover The Raid (2011) from director Gareth Evans and Videodrome (1983) from director David Cronenberg. We had a riot talking about these two films and we think you are gonna enjoy this episode very much!!

Direct download: Raid_on_Videodrome.mp3

Emails to midnitecinema@gmail.com

Voicemails 206-666-5207

Adios!!!




Friday, March 23, 2012

The Raid (SXSW 2012)


Directed by: Gareth Evans
Written by: Gareth Evans

The film with the trailer that shook the Internets. Like most, that trailer along with general word-of-mouth buzz created unbelievably high expectations for The Raid. Few films ever live up to that kind of hype. Even if The Raid was simply just good, it'd still be a massive disappointment. I'm here to tell you, The Raid lives up to the hype. Hell, it may even exceed it.

At its highest conceptual level, The Raid follows a SWAT team that storms an apartment building to apprehend notorious, maniacal crime lord Tama (Ray Sahetapy). The only problem is that Tama resides atop the building in his stronghold headquarters with every level between him and the ground floor packed with the most dangerous, kill-crazy criminals seen in recent cinema. Once the cops are made, the film erupts in nearly never-ending streams of hard-edged baddies wielding guns, knives, machetes and touting jaw-dropping martial arts prowess gunning for the cops as directed over an intercom system while Tama observes via security camera monitors. It might be easy to eye-roll the premise as something lifted from a video game, and that isn't necessarily off-base (I'd gladly kill an entire weekend if this were a video game, though), but it's the execution that truly allows The Raid to transcend this premise.

Starting with the obvious, the fight choreography and action beats are the best committed to celluloid since John Woo's heyday, though stylistically much different. Be prepared to gorge yourself on a buffet of bone-crunching combat. The exchanges are lighting fast, packed with blinding reversals and carry home excellent finishes that demand you cheer (many of which you may have already witnessed in the greatest sizzle reel of all time). How can you not fly outta your seat when seeing one thug head-slammed multiple times down a wall or watching another force fed a barrage of gunfire at nose-hair trimming range following a takedown roll. To call the film a crowd-pleaser is an understatement, I saw this in a sold-out theater of 1200 strong that burst into ohhhs, ahhhs and raucous applause throughout the film as if these fights were live MMA bouts unfolding across the screen.


To director Gareth Evans' credit, he shies from trying to continually top each fight scene and moment, displaying a deft touch for pacing and escalation. Evans certainly constructs fantastic exchanges, but he also finds moments and sequences to wring tension out of the situation. Primarily, this tension comes as the seriously depleted cop squad try to quietly hide, escape and maneuver about the building without being detected. One particular highlight involves the cops hiding between walls, struggling to remain still and quiet as a machete thug jabs his blade through the walls to jar them out into the open. Visually, Evans excels at switching gears viscerally as well, finding varied ways to film the melees and unique angles to create engaging perspectives. Equally impressive is that Evans never loses coherence to his shot composition, capturing the action so one can easily follow it and know what's occurring, which is quite the feat given the insanity breaking loose.


All this would be far less effective, though, if Evans hadn't tailored the narrative with original flourishes in both story design and characters. While there are surprises as the story unfolds, it's the characters who often surprise me the most. Iko Uwais admirably fulfills the leading man role as super heroic cop, Rama, whose martial arts ferocity is equally matched by an unwavering wholesomeness and dedication to doing the right thing no matter the odds. Rama's character possibly sounds stale, virtuoso fight moves aside, but it's his straight-forward morality that provides a baseline for establishing the fantastic characters around him. There's grittier fellow cop Jaka (Joe Talsim) that's every bit the hero that Rama is even though his methods, and fighting style, in upholding order are unfriendly, abrasive and nastier though altogether warranted. Then there's my favorite character, Mad Dog (Yayan Ruhian), Tama's top enforcer and best fighter. I haven't seen a villain like this one in this genre of film. His defining trait amidst all the bloodshed is in engaging in a level playing field, though one could chalk it up to psychosis instead of honor. Mad Dog shockingly discards the upper hand in fights, laying down his weapon or unchaining an adversary, allowing them to throw down 1-on-1 hand-to-hand to determine superiority; at one point, he admits to preferring using his hands to do his killing rather than guns because "it's the real thing."

It's probably not possible to add to the hype for this film, but it easily belongs up there with the top echelon of action classics. Go ahead and reserve a spot on your Best of 2012 lists.


Make or Break scene - It's less of a scene, but more so a moment that made The Raid for me. This occurs toward the end when Rama discovers Mad Dog torturing someone (who'll I refrain from naming for spoiler reasons), halting the beating as Mad Dog elects to unchain his prisoner, welcoming the pair to face off with him 2-on-1. I absolutely loved this moment, and the ensuing brawl, because this situation is so typically reserved for the hero, not a key villain. Instead of bolstering our hero's toughness, this moment serves to strengthen the bad guy's dominance. And make no mistake, no one in this film has even the slightest chance of defeating Mad Dog in a 1-on-1 "fair" fight. Not only do we know this, but Rama knows it as well, which is another facet I love -- the hero readily accepts the advantage given to him, knowing it's a losing effort any other way.

MVT - As much as I'd like to go with Mad Dog, and I'm very tempted, the answer has to be the incredible action. Just too unreal and entertaining not to be the most valuable.

Score - 9.25/10